Josef Heiter in the first film - never finds the right balance of pace, stoicism, and mania to make Bill Boss even remotely watchable. Harvey and Olson both have a grasp on the speed and mugging required to mine the darkest of laughs from such a cruel scenario, but Laser - so magnetic as Dr. You’ve got the fascist (and German) prison overlord, his portly (and mustachioed) right-hand man, and even the buxom blonde secretary (Bree Olson). In the right hands, Final Sequence could be a seriously twisted take on Hogan’s Heroes. The problem? The shit (both metaphorical and literal) just isn’t funny, although it certainly could be. All of these metafictional devices point to a thesis that, for all their grossness, the Human Centipede movies are just movies - nothing more. Anyone who gets offended by their ludicrous plots, as so many people have, may be taking themselves too seriously. Six even pops up as himself at one point to give Bill and Dwight his blessing for using his idea. For one, the script posits that the first two films exist only as films (like part two, it opens with Harvey watching some of Six’s footage), with each of their respective villains once again playing the lead roles here. To its credit, Final Sequence has a lot of comedic potential. Besides freeing up space in the prison, the punishment will hopefully scare would-be criminals across America from ever committing a crime. Harvey), and has the prisoners sewn anus-to-mouth in a giant 500-person chain. Boss’ increasingly sadistic methods of torture (fractured limbs, boiling hot waterboarding, then castration) aren’t enough to deter his inmates from misbehaving, so he eventually takes the advice of his accountant (and fan of the first two Human Centipede films), Dwight (Laurence R.
Bush Prison, a maximum-security joint suffering from a punishing desert heatwave and severe overcrowding. Dieter Laser plays Bill Boss, the warden of George H.W. The first installment was a competently made body horror film, part two was full-on exploitation, and with part three, we get an unabashed satire. One of the few strengths of The Human Centipede franchise has been writer/director Tom Six’s willingness to experiment with genre.
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